Ukraine’s tunnel of love
Enjoy a walk through this beautiful wonderland.
Enjoy a walk through this beautiful wonderland.
Everyone should check out the 2008 documentary film called The Wrecking Crew – because it astounding this story has gone untold for so long.
Popular music of the 1960s was dominated by young bands like The Beach Boys, The Mamas & the Papas, The Monkees, Simon & Garfunkel, Dean Martin, Cher, Elvis, Tina Turner, Frank Sinatra, and many more. Turns out, these bands sometimes didn’t even play their own records. At times, the only members of the band on a song was the vocalists. The Wrecking Crew were the Los Angeles studio musicians that played for almost all of them. They played and shaped hundreds of now-classic records and are likely among the most recorded musicians in history. The movie shows just how influential these musicians were in creating the songs we now know and love.
To give you a taste, check out how many classics of rock they were the ones that performed and created.
Social elites, artists, the rich, and now influencers have been known for extravagant and unusual types of gatherings and parties. The movies Eyes Wide Shut and The Game gave people a little glimpse into these worlds, but actually getting into these kinds of events is secretive and selective. Most people don’t even know about them even well after they happen. Just being invited often requires the right connections, social and artistic cache, as well as a bit of luck. Even chosen guests often know little about the details of the location, theme, artists, or the food until the very last minute.
Madame Lupin is a private Parisian experiential design group that extends invitation to those who take the time, effort, and patience to discover the secrets of Paris. They often organizing events at secret and abandoned locations – like sand caves under the Paris streets, an abandoned art museum, old military complexes, etc. They then invite new painters, sculptors, performers, and musicians to entertain – along with food and beverages.
Moving up the ladder of expense and extravagance, We Are the Oracle is a top tier organization that hosts elaborate clandestine dinners and parties, including the Paris catacombs, empty railways, and abandoned chateaus. What began as a word-of-mouth soirée among the Paris’ elite influencers has evolved into seasonal theme parties, all-night raves, and immersive theatrics of shows like “Sleep No More.”
As the reputation of their parties grew, so did the pressure to raise the level of extravagance. “Venise Sous Paris,” for example, took a year to plan and cost more than a million euros to produce. Check out some of their work like the party in the catacombs of Paris.
The above pictures are another event thrown by We Are the Oracle. They hosted a candlelit costume ball inside the abandoned Rothschild Chateau in the East of Paris.
If you don’t find yourself on these selective guest lists, you can check for other events on AirBnB or similar platforms – like spending Halloween night in the Paris catacombs – complete with dinner, spooky storyteller, and a bed to literally sleep with the dead.
Or, check out the “Don’t be a Tourist in…” series by Messy Nessy. She has books on New York and Paris (as well as a playlist to set the mood).

This movie was MUCH better than I expected. It was extremely real and held a depth that the truth does more than standard formulaic Hollywood story telling. I highly recommend it as some solid telling of a real person’s story.
Warning: spoilers below.
The Pirates of Somalia tells the true story of Jay Bahadur, a young Canadian trying to make a name for himself while living at home and working as a questioner for supermarket product placing. In a chance meeting with his journalist idol, Seymour Tolbin, Tolbin inspires him with some wisdom. He says that the reason journalism is a pile of garbage today is because real journalism can’t be taught – it’s innate. Tolbin says his famous war reporting (that gave him shrapnel in his back) wasn’t by using his head, but following his instincts on the story. Tolbin tells Jay that if he wants to be a big journalist, you gotta go somewhere crazy. Somewhere western reporters would consider it too dangerous to go – and write about it.
In pondering this later, Jay thinks back to a paper he wrote about Somaliland. It’s a place no western journalist would go after the brutal civil war of the 1990’s (made even more infamous by the Black Hawk Down incident). Jay then sees a news report on the famous hijacking of Richard Phillips’ ship by Somali pirates. Taking a completely blind leap, he contacts their diplomatic office via email, is accepted to come, and flies there with almost no money.
The majority of the movie is a very realistic and humble telling of Jay’s adventures. He meets the pirates – but even more so in the telling of his struggles and relationships with the people of Somalia. Along the way, Jay learns some great life lessons – lessons I think are universal:
Tim Hunkin is an innovative English engineer, cartoonist, writer, and artist best known for creating the Channel Four television series The Secret Life of Machines in which he explains the workings and history of various household devices. He has also created museum exhibits for institutions across the UK, and designed numerous public engineering works, chiefly for entertainment. Hunkin’s works are distinctive, often recognizable by his unique style of paper-mâché sculpture (made from unpainted newsprint), his pen and ink cartoons, and his offbeat sense of humor. His website has lots of information about how he came up with his ideas.
His “Under the Pier Show” is on Southward Pier in Suffolk, England is a true delight. I love it!
There’s a place in the US with similar cool machines at Marvin’s Marvelous Mechanical Museum in Michigan.
Cakeland LA “The Beauty War” by Scott Hove is like taking a surreal adventure inside a multi-layer wedding cake…
Reminds me of that Eagle’s song. Due to some recent, (but not well thought out) traffic control changes to make things more bike/bus friendly, there is now a Parisian intersection you can enter – but never leave.
View this beautiful location full of red circles here:
Bloomlight by VOUW Studio is a series of lanterns that senses your presence and starts bending towards you while the lantern opens.
Nick Berry, president of DataGenetics, meticulously analyzes different strategies to play the classic board game Battleship (he also has done Chutes & Ladders, Candyland and Risk)

It’s a great example of how computer scientists often work. He explores a host of techniques and analyzes the results by calculating how often you’ll get a perfect game, median number of guesses, and how bad it gets in the worst case.
He examines 4 major strategies:
His fourth approach is the most fascinating. The system calculates every possible configuration of the remaining ships, and then sums up the probability of a ship on each square. At the beginning, all the squares are basically equally probable, but as more and more guesses are made, the number of possible configurations decreases. If you continually calculate the sum of these possibilities, pick the square with the highest probability and repeat this process, you get significantly better results.



How much better? Purely random guessing gives you a median of 97 moves. Using parity with the hunt+target method averages 64 moves. But using the probability density function increases that to a staggering 42 moves on average.
Turns out, I discussed the use of this kind of probability density function by speedrunners who used the same technique to beat the splosh-kaboom minigame in the Legend of Zelda Wind Waker.
Algorithm of the day: Rapidly exploring random trees (RRT) is an algorithm designed to efficiently search non-convex spaces by randomly building a space-filling tree. The tree is constructed incrementally from samples drawn randomly from the search space and is inherently biased to grow towards large unsearched areas of the problem. They easily handle problems with obstacles and differential constraints and have been widely used in autonomous robotic motion planning.
